THE MOON
The source of night light, ''the night sun'',
Sun's brother/sister, sometimes mother/father, i.e.
son/daughter, deity of fruitfulness which governs the
cycles of vegetation, pregnancy and growth.
Because of
it, in many cultures, depending on the change of the
moon, it has been represented as a pregnant woman,
that is an ancestress or goddess, and the moonlight as
milk. It protects farmers, travellers, seamen,
merchants and thieves. A legend was recorded in which
the moon represented as a pale, young man transforms
into a fragile, fair haired maid. This legend records
the mixing of different beliefs and religions from the
pre-Christian era, or the possibility of an ancient
deity to change sex. Some people believed that the Sun
and the Moon were the same (one of them being the
source of light during daytime and the other during
night-time). Soon they were imagined as deities, a
brother and a sister having an incestuous
relationship, i.e. as twin brothers of diametrically
opposite characters fighting for their beautiful
sister's affection (the morning star). Others,
believing that the night-time was reserved for love
and passion, thought that the (night) sun was a
handsome god coupled with Luna, a breathtaking goddess
(like Volos and Voloska from the Slavic legends). The
longer the history of mankind was, the more
complicated legends became. Some of it happened
because of the influence and mixing of different
religions, some of it because of the human desire to
tell more interesting stories, with more intrigues and
suspense. So, one, two or three cultural archetypes
would get moulded into a series of characters having
different relationships (One example is the famous
story of Cinderella, which exists in Croatian folk
literature, in which the characters of Cinderella, her
two stepsisters and stepmother actually have the same
origin. Cinderella represents the night or winter
aspect of the sun, her father the main deity of the
heaven, the dead mother the daytime and the fruitful
part of the year, the stepmother and her daughters the
night-time and the winter cycle, and the prince the
coming of spring.) Because of the misteriousness of
the night, but also because of the presumption that
songs are remains of old ritual holy scriptures, the
Moon is an adventurer, wanderer, singer (in ancient
Greece-Orpheus) and poet and his language is a mute
language. Identifying dead ancestors with different
plants and the transition of their souls into these
plants has always been connected with the moon cult.
The new moon, shaped like a sickle, symbolically
appears in the shape of a farmer's tool among farming
people. On different garments it represents a sign of
protection or fertility and plenitude. On the other
hand it is the predecessor of the crown, a symbol of
power. This is the reason why it is the time of
becoming young (You should hold your ear, jump three
times and say: ''You are old and I am young!'' to the
moon. It is also the time when sorcerers and vampires
are born. It was an old custom in Medjimurje for one
of the members of the household to announce the coming
of the new moon, after which everybody crossed
themselves three times, went out in the garden and
kneeled facing the Moon and saying: ''May God grant me
health this month. Make me young as you are.!'' Then
they would bring out a bucket of water from which they
would tell fortune and then wash their face. A newborn
baby was brought out and shown to the new moon and the
words: ''Here is a young child for you. It is young and
you are old!'' were said three times so that the Moon
wouldn't harm it. In pre-Christian times it was
believed that, when the Moon came out, goddesses
Friday and Sunday came with it, so on every first
Friday of the month there were celebrations connected
with prayers for good crops from the orchard and
garden, and on every first Sunday of the month young
girls and women went to springs to wash believing that
the water had the strongest healing power at that
time. The time of the waxing moon is good for
ploughing, sowing plants that have a fruit above the
ground, cutting your hair, christening, sharing
secrets. On the contrary, during the time of the full
Moon, as well as on every first Friday of the month,
no work should be done (it is only recommended to cut
wood, marry and conceive a child because it is going
to be a boy), but you shouldn't spin or sew (because
the clothes will fall apart or become your death
apparel), wash, dance, leave your tools in the
moonlight, drink water that reflects the ageing Moon,
the moonlight shouldn't touch a wound (or it will
never heal). This is also the time when sleep-walkers
are born (people who have worn clothes which have been
dried outside during the night are also prone to
sleep-walking). A child should under no circumstances
look at this ''dried up'' Moon or else it will drain it,
that is the child will dry up, grow weak. Like there
are solar dances in the ancient traditions (dedicated
to the Sun), there are also lunar dances (dedicated to
the Moon). They were mostly danced by women (the Moon
either represents the female principle or is
represented as a man to whom young women give
themselves during a dance), the dance took place
during the new or the full Moon. The waning Moon
should be looked at if you have any ailments, and you
should sew tuberous plants. The night between the last
quarter and the new moon is the most dangerous time of
the moon's cycle, governed by monsters and ghosts. In
the old days peole were very afraid of the eclipse of
the Moon because they thought that a horrible monster
was hunting and devouring it (popular expressions used
to indicate this evil time are: ''The Moon is caught!''
and ''The Moon is eaten.''), so they made deafening
noise in order to chase it away. Similar to this
belief is a disturbing legend of the rise of the
mythical snake/dragon on a mountain which threatens to
clogg every water spring causing draught.
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The dark
Moon was often identified with the fallen Sun, Hors,
the rulers of the underground (with
Tur/Volos/Veles/Velebic/Vlas(in)/Vlasic/Blaise the
patron saint of agriculture and farming which are the
origins of different geographical names in Croatia
like Veles, Velesovo, Velesovac, Velez, Vlasic,
Volosko always situated in valleys near water; with
Podzemljar (''undergroundman''), Tatomir, Pokol,
Paklenjak (''hellman'') - which are the origins of town
names in Croatia such as Paklarevo, Paklenik,
Paklesnica, Pakliste, Peklenica; with Poklad), with
dusk and night (with Prijezd, Crn-bog (''black god''),
Mracnjak(''darkman''); there is a saying ''Every cow is
dark in the night.'') and with winter
(Zim(o)nik-''winterman''), with keepers of treasures
(with Oganj (''fireman''), (J)Anje, (J)Anja (''lamb''),
Janko (of Budim), Rajko, Bluebeard, Pepelnjak, Zlarin,
goldsmith, dwarf), with the demons of evil (Pripegal,
Zli-bog (''evil god''), Ljut-bog (''angry god''), Strah
(''fear''), Hudic (''bad one''), evil spirit, rage,
misery, devil, satan, ghost) with black, green or
brown monsters (a winged snake, a dragon (zmaj, ala,
azdaja, halva) a black winged horse, a beast, a
fire-wolf, a werewolf, a vampire, a doghead, a
water-sprite), with strong, superhuman creatures
(Zmajan (''dragonman''), Sur, Bas-celik (''bas-steel''),
Balacko, Bakonja, the Ironman, the Giant), with
foreigners ( Alija (''Moslem''), the Arab, the Gypsy or
Moore, the king of Budim, Tucipetar(''Peter that
hits''), the Hungarian, the Venetian, the Tatar, the
sultan, the pasha, the bey, the aga, the vizier, the
black man/duke, Bluebeard). Although they are of
divine origin, they are rulers of night and darkness
and cause storms, so, as Christianity spread, they
lost their good features and became the
representatives of discord, heartlessness, envy,
trickery, spite, injustice, quarrel, greed, theft,
violence and crime, but also the symbols of
resurrection (they devour the old man, that is the old
Sun in order for the new man to be born). In a Czech
novel from the 15th century it is said: ''What devil,
what dragon, what ruler of the underground possessed
you to rebel against me?'' But, the ones that remain
are the guards and safekeepers of the material and
spiritual treasure. Only a hero can come freely near
it after he overcomes the monster (embodied in himself
or in some other creature). That's the reason the
spots on the Moon were thought to be the marks of a
dragon. In fact it has something to do with the fact
that the human imagination tried to give these
creatures the form of black threatening clouds which
are the principal reasons for darkness (As it is
suggested in the saying: ''The night has power.'' and
the curse: ''May you be devoured by darkness!''),
storms, cold, hunger, disease, poverty, war and death
(when it is getting cloudy in Medjimurje people say:
''The weather is growing a beard!'' which refers to
Veles' beard, snake's bed of sheep's fleece, actually
an alusion to cattle they were guarding). Because they
were afraid of them, people had rituals to get them in
good spirit, sometimes even sacrificing people. It
makes sense then that dwellings of such blood-thirsty
and vengeful gods or evil spirits were damp, foggy,
dark, deserted, cold, underground, distant and
inaccessible places which you could approach only by
crossing a silver bridge or the Milky Way (it was for
example the roots of a mythical tree, the Lower
Chambers, or the Seventh Room of the Ada Castle in the
Copper Avenue of the western city of Budim,
Constantinople, Boot-city in the middle of
Legen/Legjan/Le(dj)an, the moore or wasteland in
Goleč, Lelej-mountain or Glass-mountain surrounded by
Suton(''dusk''), Mračaj, Mrak(oč), Mrklica (''darkness''),
Nevid (''non-see'') in Arabia, Bezdan(''abyss''),
Djidjin-land, Hades, India, Paklina/Pakao (''hell''),
subconscious, Talia, Tartar, Turkey, Ud(b)ina or
Hungary). (According to psychoanalysts, the monster
represents the unconscious, unnatural desires that
have to be overcome in order for a person to develop
to the highest spiritual level.) Illnesses can be
caused by all the supernatural forces and the spirits
of the dead, especially the ones that are not
worshipped (e.g. fairies, Thundermaker, black
magicians) or the ones that have in time become
completely degenerated (like dragons and witches).
Misfortune can be easily passed on from one person to
another, especially to children, beautiful, gentle or
happy people. That is why it shouldn't be refered to
too often, euphemisms should be used and words of
praise should be accompanied with magical words
against spells, such as: ''Eyes into the stone!'' or
''Eyes into the tree-stump!'' During holidays purifying
baths should be organized, magical herbs should be
used, ceremonial walks, sways and rollings should take
place, strong people's shirts should be worn,
bonfires, shoutings, dances and sacrifices should be
organized. Beech, henbane, bitter oak, hornbeam,
cypress, pear tree, blueberry, water-lily, hazel,
walnut, yew-tree and cane are sacred Moon plants. The
Moon is also represented by the bull/cow (their horns
represent the horned Moon, i.e. the new moon),
bumblebee, jackal, raven, adder, lamb (the black lamb
represents ''the dead of night'', and it is often
identified with the shepherd), goat, stag, dark haired
horse/mare (old Slavs predicted the mood of Triglav
(''the threeheaded one'') using black horses, a bit
different from the white horses of St. Vid; there are
famous riddles: ''The grey horse jumped over the sea,
not wetting its hoofs'' and ''Our white horse crossed
the meadow, nobody knows where it went.''), cuckoo,
weasel, bear, mouse, fly, black dog, duck, peacock,
fish, owl, scorpio, boar, otter, wolf/she-wolf, rabbit
(because it multiplies fast, it is a symbol of the
magic of fertility and hunting), snake and frog. In
Croatian folk literature it is also represented by
human characters - Old Novak (the last quarter) and
his son Grujica Novak or Novaković (the new moon), and
sometimes Novak Debeljak (''fat one'') (the full moon),
Andrijaš, Mihajlo, Gavan (derived from the word
''ogavan'', meaning ''disgusting''), etc. Silver is the
Moon's metal of shiny white colour, the colour of
wisdom. It is also the colour of water, the same as
green which refers to the relation between the guard
of the waters and the springs. Here, the symbolism of
the silver, shiny white, or pale colour becomes close
to the symbolism of the black colour meaning shadow,
darkness, night, cold, the North, depth, undreground,
chaos, impurity, sterility, nothingness, instinct,
unconsciousness, fall, difficulty, sadness, anxiety,
renunciation, ignorance, deformity, misery, punishment
and death. But black is also the colour of Mother
Earth in which, through the colour red, the colour of
fire and blood, life is renewed through the symbolism
of green (remember the green snake, the dragon with
the red muzzle). The mixture of black and white is
grey which symbolizes the man. Like black and white,
red is understood in two ways - as a day, male colour
and as the night, female colour. The latter is found
under the green of the vegetation and the blackness of
the Earth, so when it is hidden it represents the
colour of underground fire, soul, heart, knowledge and
wisdom. When it is spilt it is a mark of hatred, lust,
cruelty, death and hell (that is why women who had the
period were forbidden to touch and the same
prohibition refered to hangmen and blacksmiths).
Similar to this symbolism is the symbolism of the
brown colour of copper (something between red and
ochre), as the colours of the underworld.
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